2018 was an outstanding year in film, but I have to start by saying that it was also an outstanding for me as a film viewer. I saw more new films this year than ever before: 101, to be exact. I prioritized seeing movies, and the effort paid off in a big way.
A Man Alone, while never breaking the mold for its particular type of tale, manages to embody the form just right; a narratively tight yet decompressed Western from smack in the middle of the 1950s. The notable first of longtime star Ray Milland’s six directorial efforts, A Man Alone is a peppercorn burst amid the dwindling output of its studio, Republic Pictures.
